Dominicus Card. Bartolucci
vii Maii MCMXVII - xi Nov. MMXIII
Cardinal Bartolucci on the Traditional Latin Mass, August 12, 2009 (from The Remnant)
A bombshell of an interview. Mons. Domenico Bartolucci on the liturgical reforms and the reform of the reform.
From the remarkable Italian Catholic blog, Disputationes Theologicae:
by Pucci Cipriani and Stefano Carusi
It means that they need it! I am speaking of the structure that the wisdom of the Church had so delicately chiseled in course of centuries. You do not understand the importance of the seminary: a liturgy that is fully lived, the orderly articulation of the different periods of the year and all this experienced in social communion with the brothers... Advent, Lent, the big feasts that follow after Easter. All of this is educational and if you only knew how much!
A foolish rhetoric wants to depict the seminary as something which spoils the priest, that the seminarians, remote and far away from the world, remain closed in themselves and distant from the people. This is pure imagination, invented by people who wish to dissolve an age-old formative richness and replace it with emptiness.
It has an incredibly important role for many reasons. The affected “Cecilianism” to which certainly Perosi was no stranger, with its tones that were so mild and enticing to the ear had introduced a new romantic sentimentalism, which had nothing to do, for instance, with the eloquent and solid physicality of Palestrina. Some extravagant deteriorations introduced by Solesmes had cultivated a subdued gregorianism, which also was the fruit of a pseudo-restauring passion for the Medieval ages, which were so popular in the nineteenth century.
The idea of an opportunity to recuperate the archeological vein, both in music and liturgy, of a past, from which the so called “oxen centuries” (seculi bui) of the Council of Trent separated it ….. in short an archeology which has nothing at all to do with Tradition and which wishes to restore something which maybe never existed, is a bit similar to certain churches restored in the “pseudoromantic” style of Viollet-le-Duc.
Maestro, how far have we come in our days with the restoration of Sacred Music and the Liturgy?
I cannot deny that there some signs of restoration, but I still can see that there persists a certain blindness, almost a complacency for all that is vulgar, coarse, in bad taste and also doctrinally temerarious. Most important, do not ask me, please, to make a judgement on the guitar-players and on the tarantellas which are sung during the Offertory.….The liturgical problem is serious, do not listen to the voices of those persons who do not love the Church and who oppose the Pope and if you want to cure the sick then remember that the merciful doctor makes the wound purulent (fa la piaga purulenta).